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On Set with Shane: Into the Badlands — Night Interior Set Lighting Using Mixed Sources

Title: On Set with Shane: Into the Badlands — Night Interior Set Lighting Using Mixed Sources

We’re going to break down one of my favorite scenes I’ve ever lit—The Widow’s fight in the Versailles club. The Widow really had to make a memorable entrance. I wanted it to be moody, I wanted it to be seedy, and I wanted there to be a lot of silhouettes. When shooting a series like this, you’re going to run into a lot of different scenarios, while also working within a budget. But if you’re creative and really put some thought into it, while not being afraid to try different ideas, you can really pull some amazing things off and…

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